The New York Times | Jon Pareles

Fito Páez, Argentina’s most celebrated — and perpetually eccentric — rocker, decided to remake all the songs on his definitive 1992 album, “El Amor Después el Amor” (“Love After Love”), three decades later for the album “EADDA9223,” joined by duet partners including Elvis Costello, Nathy Peluso and Marisa Monte. “Sasha, Sissi y el Círculo de Baba” — a tale of passion and crime — used busy disco-funk guitar back in 1992. But the new version — trading vocals with the dynamic, torchy Chilean belter Mon Laferte — uncovers the retro bolero underlying the song. With reverb-laden guitar and a trumpet obbligato, Páez and Laferte revel in the drama together.